{"product_id":"preloved-strymon-brigadier-analog-delay","title":"PRELOVED STRYMON Brigadier Analog Delay","description":"\u003ch2\u003ePRELOVED STRYMON Brigadier Analog Delay\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003ePreloved condition.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eStrymon Brigadier\u003c\/strong\u003e is a digital delay designed to recreate the feel, response and tonal character of classic analog bucket-brigade delays. Instead of using traditional BBD chips, it uses Strymon’s \u003cstrong\u003edBucket\u003c\/strong\u003e processing to model the behaviour of analog delay stages, giving you warm repeats, controllable degradation and far more delay time than a vintage analog unit could normally provide.\u003c\/p\u003e\n\u003cp\u003eThis is the original Brigadier, now discontinued, and it remains one of Strymon’s most focused delay pedals for players who want authentic analog-style repeats without giving up tap tempo, modulation, expression control and long delay times.\u003c\/p\u003e\n\n\u003ch3\u003eThree Delay Ranges\u003c\/h3\u003e\n\u003cp\u003eThe Brigadier gives you three delay modes: \u003cstrong\u003eShort\u003c\/strong\u003e from 40–400ms, \u003cstrong\u003eMedium\u003c\/strong\u003e from 100–1000ms and \u003cstrong\u003eLong\u003c\/strong\u003e from 500ms all the way to 5 seconds. That means it can cover slapback, classic analog delay, rhythmic repeats and much more spacious ambient sounds.\u003c\/p\u003e\n\n\u003ch3\u003eBucket Loss Control\u003c\/h3\u003e\n\u003cp\u003eThe standout feature is the \u003cstrong\u003eBucket Loss\u003c\/strong\u003e control. Turn it down for cleaner, warmer repeats, or increase it to add more saturation, noise and analog-style degradation. It is one of the reasons the Brigadier feels more interactive than a typical digital delay.\u003c\/p\u003e\n\n\u003ch3\u003eDedicated Modulation \u0026amp; Filter Control\u003c\/h3\u003e\n\u003cp\u003eA dedicated \u003cstrong\u003eMod\u003c\/strong\u003e control adds movement to the delay time, while a secondary \u003cstrong\u003eFilter\u003c\/strong\u003e control lets you make the repeats darker or brighter. Together, these controls let you move from subtle vintage-style modulation through to more obvious warble and lo-fi textures.\u003c\/p\u003e\n\n\u003ch3\u003eTap Tempo \u0026amp; Infinite Repeats\u003c\/h3\u003e\n\u003cp\u003eThe dedicated Tap footswitch gives you quarter-note, dotted-eighth and eighth-note-triplet subdivisions. Holding the Tap footswitch creates \u003cstrong\u003einfinite repeats\u003c\/strong\u003e, making it easy to push the pedal into self-sustaining textures.\u003c\/p\u003e\n\n\u003ch3\u003eExpression \u0026amp; Favorite Control\u003c\/h3\u003e\n\u003cp\u003eThe expression input can be assigned to control any knob parameter, or used with a compatible Favorite switch to recall a stored sound. This makes the Brigadier particularly useful in live setups where quick changes matter.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features \u0026amp; Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eModel: Strymon Brigadier dBucket Delay\u003c\/li\u003e\n\u003cli\u003eDiscontinued original Brigadier model\u003c\/li\u003e\n\u003cli\u003eHand-crafted dBucket analog delay algorithm\u003c\/li\u003e\n\u003cli\u003eThree delay modes: Short, Medium and Long\u003c\/li\u003e\n\u003cli\u003eDelay ranges: 40–400ms, 100–1000ms and 500ms–5s\u003c\/li\u003e\n\u003cli\u003eTap subdivisions: Quarter, dotted eighth and eighth-note triplet\u003c\/li\u003e\n\u003cli\u003eBucket Loss control\u003c\/li\u003e\n\u003cli\u003eDedicated modulation control\u003c\/li\u003e\n\u003cli\u003eSecondary filter control\u003c\/li\u003e\n\u003cli\u003eInfinite repeats function\u003c\/li\u003e\n\u003cli\u003eExpression \/ Favorite input\u003c\/li\u003e\n\u003cli\u003eMono input with internal TRS stereo-input option\u003c\/li\u003e\n\u003cli\u003eStereo outputs\u003c\/li\u003e\n\u003cli\u003eAnalog dry path\u003c\/li\u003e\n\u003cli\u003e24-bit \/ 96kHz conversion\u003c\/li\u003e\n\u003cli\u003eTrue bypass or analog trails bypass\u003c\/li\u003e\n\u003cli\u003eAdjustable +\/-3dB output boost\/cut\u003c\/li\u003e\n\u003cli\u003eInput impedance: 1MΩ\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 100Ω\u003c\/li\u003e\n\u003cli\u003eSignal-to-noise ratio: approximately 115dB\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20Hz–20kHz\u003c\/li\u003e\n\u003cli\u003eMaximum input level: +8dBu\u003c\/li\u003e\n\u003cli\u003eDimensions: approximately 4.5\" x 4\" x 1.75\"\u003c\/li\u003e\n\u003cli\u003ePower: 9V DC centre-negative\u003c\/li\u003e\n\u003cli\u003eCurrent requirement: minimum 250mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWho Is It For?\u003c\/h3\u003e\n\u003cp\u003eThe Brigadier is ideal for players who love analog delay character but also want tap tempo, longer delay times and deeper control. It suits blues, rock, ambient, shoegaze, worship and studio work equally well.\u003c\/p\u003e\n\n\u003ch3\u003eOur Take\u003c\/h3\u003e\n\u003cp\u003eThe Brigadier is one of Strymon’s most convincing “analog without being analog” pedals. The Bucket Loss control is genuinely useful, the long delay mode opens up creative territory that traditional BBD pedals cannot reach, and the overall feel is still very musical rather than overly digital.\u003c\/p\u003e\n\n\u003cp\u003eAvailable from \u003cstrong\u003eColemans Music South Melbourne\u003c\/strong\u003e with \u003cstrong\u003eFast Shipping Aus Wide\u003c\/strong\u003e.\u003c\/p\u003e","brand":"STRYMON","offers":[{"title":"Default Title","offer_id":67721489678388,"sku":"210000078739","price":449.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5386\/3220\/files\/PRELOVED-STRYMON-Brigadier-Analog-Delay-1.jpg?v=1792085963","url":"https:\/\/www.colemansmusic.com.au\/products\/preloved-strymon-brigadier-analog-delay","provider":"Colemans Music","version":"1.0","type":"link"}